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RENI, Guido Joseph and Potiphar's Wife oil painting reproduction


Joseph and Potiphar's Wife
c. 1631 Oil on canvas, 227 x 195 cm Pushkin Museum, Moscow
new1/RENI, Guido23.jpgPainting ID::  8886
 

 
 
   
      

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GENTILESCHI, Orazio Joseph and Potiphar's Wife oil painting reproduction


Joseph and Potiphar's Wife
1626-30 Oil on canvas, 204,9 x 261,9 cm Royal Collection, Windsor
GENTILESCHI, Orazio10.jpgPainting ID::  6834
 

 
 
   
      

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Jacopo Robusti Tintoretto Joseph and Potiphar's Wife oil painting reproduction


Joseph and Potiphar's Wife
mk61 c.1555 Oil on canvas 54x117cm
new3/Jacopo Robusti Tintoretto-844726.jpgPainting ID::  28634
 

 
 
   
      

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CIGNANI, Carlo Joseph and Potiphar's Wife oil painting reproduction


Joseph and Potiphar's Wife
1678-80 Oil on canvas, 9 x 99 cm
new18/CIGNANI, Carlo-749655.jpgPainting ID::  51209
 

 
 
   
      

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CIGOLI Joseph and Potiphar's Wife oil painting reproduction


Joseph and Potiphar's Wife
1610 Oil on canvas
new18/CIGOLI-827667.jpgPainting ID::  51210
 

 
 
   
      

All Guido Reni Oil Paintings
 
 
Guido Reni Joseph and Potiphar's Wife oil painting reproduction


Joseph and Potiphar's Wife
1631 Medium oil on canvas cyf
new25/Guido Reni-994433.jpgPainting ID::  89612
 

 
 
   
      
Guido Reni
  
1575-1642 Italian Guido Reni Galleries Born in Bologna into a family of musicians, Guido Reni was the son of Daniele Reni and Ginevra de?? Pozzi. As a child of nine, he was apprenticed under the Bolognese studio of Denis Calvaert. Soon after, he was joined in that studio by Albani and Domenichino. He may also have trained with a painter by the name of Ferrantini. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named Accademia degli Incamminati (Academy of the "newly embarked", or progressives), led by Lodovico Carracci. They went on to form the nucleus of a prolific and successful school of Bolognese painters who followed Annibale Carracci to Rome. Like many other Bolognese painters, Reni's painting was thematic and eclectic in style. By late 1601, Reni and Albani had moved to Rome to work with the teams led by Annibale Carracci in fresco decoration of the Farnese Palace. During 1601-1604, his main patron was cardinal Sfondrato. By 1604-1605, he received an independent commission for an altarpiece of the Crucifixion of St. Peter. After a few year sojourn in Bologna, he returned to Rome to become one of the premier painters during the papacy of Paul V (Borghese). From 1607-1614, he was one of the painters patronized by Borghese. Abduction of Deianira, 1620-1621.Reni's frescoed ceiling of the large central hall of garden palace, Casino dell'Aurora located in the grounds of the Palazzo Pallavicini-Rospigliosi, is considered his masterpiece. The casino was originally a pavilion commissioned by Cardinal Scipione Borghese; the rear portion overlooks the Piazza Montecavallo and Palazzo del Quirinale. The massive fresco is framed in quadri riportati and depicts Apollo in his Chariot preceded by Dawn (Aurora) bringing light to the world. The work is restrained in classicism, copying poses from Roman Sarcophagi, and showing far more simplicity and restraint than Carracci's riotous Triumph of Bacchus and Ariadne[5] in the Farnese. Reni in this painting is allies himself more with the sterner Cavaliere d'Arpino,Lanfranco, and Albani "School" of mytho-historic painting, and less with the more crowded frescoes characteristic of Pietro da Cortona. There is little concession to perspective, and the vibrantly colored style is antithetical to the tenebrism of Caravaggio's followers. Payments showed that he was paid in 247 scudi and 54 baiocchi upon completion on 24 September 1616. He also frescoed in Paoline Chapel of Santa Maria Maggiore in Rome as well as the Aldobrandini wings of the Vatican. According to rumor, the pontifical chapel of Montecavallo (Chapel of the Annuciation) was assigned to Reni to paint. However, because he felt underpaid by the ministers, the artist left for Bologna, leaving the role of the preeminent artist in Rome to Domenichino.
Joseph and Potiphar's Wife
1631 Medium oil on canvas cyf

Related Paintings to Guido Reni :.
| Anders Zorn134 | Alfred William Finch - The Channel at Nieuport | Jacob Adriaensz. Backer - Portrait of a Lady, 1641 | Fargue, Paulus Constantijn la -- Het Herepad in het Haagse Bos, 1778 | Wet, Jacob de (I) -- De hemelvaart van Maria, 1640-1672 | | Landscape with cottage | Annunciation | adelaide | Interior | Two Blue Horses (mk34) |

        

 

 

 
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